Filmed at the end of November 2010 somewhere in Bavaria. Riders are Max Schumann and Maxi Dickerhoff. Snow cover was about 50 or 60cm. With hikers trampling down the snow and making a trail then some good riding is still possible. Took us 2hrs of pushing and carrying to get to the trail head but, once again, the up hill grunt was well worth it. Considering these guys were running with normal downhill tyres (without spikes) then this is some of the fastest mountain trail snow riding I have seen. Some sections of the trail are pretty exposed too, kiss your ass good bye if you fuck up.
Danny MacAskill turns his incredible riding style of trial bike, mountain bike and BMX-street from the urban streets of Edinburgh to a completely different landscape as he travels Way Back Home through the Scottish Highlands and craggy coastal descents all the way to his hometown of Dunvegan in the Isle of Skye.
Watch Andi Wittmann shredding his dirt jump spot, trails at Wildkogel and big mountain lines in Tirol. Filmed and edited by Felix Urbauer (www.felixurbauer.com)
Follow Bartek “Jaws” Krzysztoń on his trip to the UK. A nice movie with lots of freeride action and some dirt jump sessions with Grant “Chopper” Fielder, Blake Samson, Chris Smith and more.
In early 2010 the Anthill Films crew, Gee Atherton and Steve Smith traveled to New Zealand for the final shoot for Follow Me. We went expecting warm, sunny days in the Southern Hemisphere… what we got was something completely different. New Zealand is definitely one of the favorite segments from Follow Me. But it didn’t always feel that way.
Danny talks in this video about choosing the best locations for his new film “Way Back Home”, which is gonna be released 16th of november 2010
Darren Berrecloth rips some big mountain lines during a recent trip to China and the Gobi Desert to film segments of Freeride Entertainment’s upcoming film “Where the Trail Ends.”
Danny talks about his latest movie project “Way Back Home”
See Darren’s intense line down the rock cliffs of Virgin, Utah from the GoPro perspective.
